LA TECHNIQUE CHUBBUCK
Dans le livre à succès 'Le pouvoir de l'acteur' ( version anglaise , version française ) de la professeure et coach Ivana Chubbuck, elle révèle sa technique de pointe qui a lancé un certain nombre de carrières d'acteurs les plus réussies d'Hollywood. « Le pouvoir de l'acteur » vous guide vers des résultats dynamiques et efficaces. Pour bon nombre des plus grands talents d’aujourd’hui, la technique Chubbuck constitue l’avant-garde du jeu d’acteur du XXIe siècle. Ivana Chubbuck a développé un programme qui amène les théories de maîtres du théâtre, tels que Stanislavski, Meisner et Hagen, à un niveau supérieur en utilisant la douleur et les émotions intérieures, non pas comme une fin en soi, mais plutôt comme un moyen de conduire et d'atteindre un but.
La technique Chubbuck est un processus en 12 étapes basé sur la psychologie et les sciences du comportement. Ivana a une connaissance approfondie de la psyché humaine et en utilisant la technique Chubbuck, vous apprenez à reproduire le personnage à partir de vos besoins personnels et de vos expériences de vie. Cela crée un personnage authentique, superposé et présent dans l’instant. La technique Chubbuck est une manière de réaliser et d’incarner un personnage afin que le personnage devienne vous – et que vous deveniez le personnage.
Ivana Chubbuck anime des ateliers et des masterclasses partout dans le monde. Les acteurs sur scène comme les auditeurs ont connu d’énormes progrès dans leur carrière, changeant leur vie personnelle et professionnelle.
Plus d'informations à propos d'Ivana Chubbuck? www.ivanachubbuck.com
THEY TALK ABOUT THE CHUBBUCK TECHNIQUE
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JESSICA BIEL
“The guesswork is gone. Finally, a book ‘The Power of the Actor’ that provides the nuts and bolts to acting, that shows me how to always be present, how to always have something going on behind my eyes and ultimately, that provides a concrete path for me to really discover and live a role.”
KATE BOSWORTH
Ivana Chubbuck is a master who empowers through her teachings. The will to win is realised in every moment of each scene, thus creating a multi-dimensional, always interesting character. She not only teaches us how to act fearlessly, but to live fearlessly. Ivana is the only person I can be completely honest with, without the fear of feeling like a complete c*nt, and to ultimately use this personal information to truly expose the darkness of any character.”
CHARLIZE THERON
I finally went to a class in Los Angeles with this wonderful teacher, Ivana Chubbuck. Ivana taught me how to take my emotions and take everything that has happened in my life, and use it to make me an effective actor. The stakes have to be high – so it was really an interesting place for me to stand on my feet and fall on my face many times.”
Interview, Ivana Chubbuck Studios, 2012
EVA MENDES
“I believe Ivana’s technique could be boiled down to, ‘take the pain in your life and find the most effective way to accomplish a goal with it.’ The most interesting aspect of the Chubbuck Technique is that it helps you to understand humanity. What drives someone to do what they do, good or bad. That even someone who seems outwardly evil to the outside world, has a righteous reason to be who they are, and do what they do. It’s not painful, actually the process of each movie I’ve done has been cathartic.”
HALLE BERRY
“Ivana Chubbuck is the premiere acting coach of the twenty-first century. Her astute knowledge of the human condition, coupled with her ability to translate that insight to her students, is remarkable. Ivana’s innovative methods of teaching both complements and rival those of the great teachers of the past. Her philosophy transcends what we once knew about the art, and forces actors through their own catharsis to discover authentic ways of bringing the complexity of life to the screen and stage. Under Ivana’s tutelage, the course of my career and depth of my work have changed dramatically.”
Discours d'Halle Berry aux Oscars 2005
DAVID BOREANAZ
“Emily [Deschanel, Boreanaz’s co-star] and I met every weekend with Ivana Chubbuck, a renowned acting coach, for seven or eight years. We rewrote and rehearsed—we cultivated our characters that way and excited the writers. They [initially] wanted a serious, X-Files-ish show, and we wanted a character show. We won because we kept that drive and people responded. We’re proud of that.”
